Writing permeates every aspect of modern life and is an essential skill regardless of profession and interest. Even businesses cannot survive without good writing at their core and it is a vital part of effective online and print marketing and promotions. Teaching writing to children whether it is a report or technical writing or creative writing has a number of key benefits for their healthy development and prosperous future. Among other things, excellent writing skills mean they will learn to express themselves, consume more reading material and perform better in most academic parameters.
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Atmosphere Dictates All
Writing is considered a challenging prospect by children especially if they are younger than middle grade because it seems complex and they might have trouble retaining good vocabulary or expressing themselves. As a parent, you need to identify issues (also ruling out the chance of dyslexia or other learning disorders) and solve them in imaginative and interesting ways. Create a safe space for the child to practice their writing like a desk or a spare room and incorporate inspiring décor ideas like scrabble tiles or framed quotes.
Next, buy them books on subjects they like such as sports or stories. As you build up their reading skills, ask them to jot down new words they have learned in a separate notebook. You can also test them on the meaning and uses of these words using colorful flashcards. Never underestimate the value of consistent practice as it often counts more than simply talent in a particular area.
Switch The Tables
One of the key aspects of being a great writer is the shifting of perspectives. Skilled writers can write for a variety of audiences to suit each and every purpose. Teaching tone and style is therefore very important. Encourage your child to imagine various scenarios and how writing would differ in all of them and help them to find examples online or in print as well. For example; writing a news report is different from someone writing a story and that is different from someone trying to sell you an item.
To Each His Own
Each child has their own favorite type of writing to read and therefore write. Is your child interested in keeping a journal or scrapbooking? Do they prefer to write travel logs? Do they like tales of fantastical lands and beasts? Encourage them to practice the kind of writing that makes their heart sing. When they are able to get a starting point this way, they’ll be more conducive to doing school work for types of writing they perhaps don’t enjoy as much such as reports or work assignments.
Equip Your Child
Make sure you have purchased all the equipment your child needs to become a formidable writer in their own right. Pencils, books, practice books, a desk, etc all matter and impart a sense of purpose. Furthermore, if you’ve consistently observed your child struggles with words and sentence formation and will benefit from English tuition, then that is a worthwhile investment. Not to mention good tutors can also be hired online with ease! You can also take them to libraries and bookshops and build up the reading habit which is in fact the greatest teacher when it comes to becoming a better writer.
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Listening Helps
Listening to audiobooks or documentaries and even podcasts is a great way to better your writing. Listening translates into better sentence structure and formation when you sit down to write. Encourage your child to listen to educational and interesting material when they are playing outside, going for a walk, simply want to lie down, or are doing anything generally unproductive. This will add to their passive learning and impact their writing in the long run.
Templates And Tests
Writing is a skill like any other and part of developing it in children is periodic testing. Look up tests online you can either use as they are, or tailor to your requirements and have your children take those tests on weekends and so on. Make sure they are short and creative so they don’t add to the school workload each child has to undertake. You can come up with story prompts or even templates and give them to your children to work from. Seeing available examples and starting points always helps with writer’s block.
To make your child keen to practice their writing more, you can even consider starting a blog or something similar from where you and he/she can track how well you are progressing. Not to mention it is brilliant motivation to keep writing and improving.
Tell us a little bit about yourself. How did you get into writing?
LEE: When we started this project I was a professor, and so writing was a part of my daily life. In my art practice I almost always incorporate stories or ethnographic interviews, so connecting other people’s writing to my images felt natural.
ANDREW: Writing thousands of pages of session notes as a psychotherapist made writing second nature. But more than that, learning about active listening and practicing compassion in every session helped me grow as an editor. Throughout the process of editing “O! Relentless Death!”, I found the courage to ask risky questions, to listen deeply, and to stay focused on the heart of a written piece rather than its style—because I’d practiced interacting from those perspectives in thousands of counseling sessions.
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2) What inspired you to write your book?
ANDREW:
Lee and I began collaborating in 2015. We gave each other “assignments.” I’d returned to making stuff just a couple years before that time; Lee had been making stuff for years and years, but was interested in stretching her creative practice with unfamiliar media. Partly, the “assignments” were just fun; and partly, they were a chance to apply some good old-fashioned psychological leverage to our individual processes. And they also made for more communication between us, which we both wanted.
So when we realized in mid-2016 that we’d both been doing art-things about the landslide of celebrity deaths that were starting to accumulate at that point, we already had an established channel for communication and collaboration in place. We chose linocut as the medium, because like our “assignments,” it was a medium neither of us felt accomplished in. We were forced to figure out ways to adapt what could be a sprawling process to little plates. That, and we’d both made linocuts with our mother, a lifelong printmaker.
After the 2016 election, the project became clear: there was a parallel between the losses of cultural heroes like Gwen Ifill and, as Progressives, the loss of the election. To us it felt like something died that day.
LEE:
Our collaboration became a way to grieve together, with each other as brother and sister, and as artists/editors with the writers who participated in the project. It felt like sharing our grief was a way to create community.
3) What theme or message do you hope readers will take away from your book?
ANDREW:
While cultural heroes like George Michael and Gwen Ifill are larger than life within the context of global media, they are also containers for enormously powerful cultural forces. They deserve respect for their achievements, certainly, and we mourn their losses.
LEE:
But they also are entry points for people’s experiences. We feel a connection to celebrities, even though we’ve usually never met them, because of the role they play in out lives. I hope that readers will identify with the writers’ reflections of their experiences with celebrities, and see some of their lives reflected in the words and images in the book.
4) What drew you into this particular genre?
LEE:
Portraits are both direct and interpretive. The relief prints show our understanding of the specific celebrities, as well as recognizable image, just as the writing show the individual author’s experiences as well as something we can all recognize. I really love working with other artists on projects as it can be energizing to play off of each others’ ideas, so this collaboration with my brother and the writers was a natural extension of what I’ve done before.
ANDREW:
Art. A deep and abiding love of picture book genres like illustrated children’s books, comics, and old encyclopedias. The grounded understanding that as artists, this book was something we could do that would literally draw real emotional connections between us and our readers, and that that is a powerful political act.
5) What was the one story or celebrity that you identified with the most in this book?
ANDREW:
George Michael. I hated Wham at the time, and didn’t think much of his work as it progressed through the 80s and 90s. And to be honest, I still don’t think he was a great artist, compared to luminaries like Prince. But learning about him in 2016-17, and then making an image of him, I found myself weeping for what he went through, what he carried for all of us. He was outed during a period of intense upheaval and change, and suffered for it. He was forced to be a figurehead for a movement he seemed to have been ambivalent about. And all in public, at the receiving end of a firehose of cultural venom no one, no one EVER, deserved.
LEE:
For me it was Prince, who was a big part of my early adulthood. I listened to his music in high school and college, which for me (and many people) was a time when I really figured out myself as a person. So listening to his music is nostalgic on a lot of levels for me. This also made his portrait the hardest for me to make. Which Prince did I want to show? Could my portrait really capture everything I felt about him? I think I made 3 or 4 images before I settled on the one that made it to the book.
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6) What social media site has been the most helpful in developing your readership?
LEE:
Facebook was where we connected with a lot of potential writers, showed people work in progress, and then launched the Kickstarter campaign that funded printing of the book. We use both Kickstarter and Facebook to keep in touch with our readership, and dabble in Instagram.
ANDREW:
Kickstarter, if we’re going to be really literal about a social media platform. Then, at last, after everything else that we personally did with our own strategy and planning, it’d be Facebook.
7) What advice would you give to aspiring or just starting authors out there?
LEE:
The old saying of 99% perspiration and 1% inspiration is so true. I used to tell my students that they had to make at least 10 bad things before they had the 1 good thing. You have to keep making, keep revising, and keep getting feedback. It can be a relentless process, being creative, but only by continuing even when it feels like you’re making crap can you push through to the good stuff.
ANDREW:
Keep tinkering with your daily creative practice, whatever it may be. Every time you do it, you’re doing IT—the big thing, the masterwork, the whole enchilada. Whatever it is for you, you’re going to do it one TRILLION BILLION times. May your moments of inspiration become as common, and as miraculous, as breathing.
8) What does the future hold in store for you? Any new books/projects on the horizon?
ANDREW:
I’m focusing on building my practice and business as a muralist in Albuquerque, NM, where I live.
LEE:
I’m working on a book about animal adaptations to human behavior and encroachment. The book is modeled after a field guide, but is really a series of stories paired with images just like our last book. The stories range from the absurd, like crocodiles in Florida using pool noodles as floatation devices or mountain goats in Olympic National Park becoming addicted to hikers’ urine, to the disturbing and profoundly sad, like wildebeests in Botswana no longer migrating because of fenced off ranch land or cane toads taking over the Australian landscape and forcing out native fauna. My hope is that readers will laugh but also think about what we as humans are doing to the animals we share our world with. The book comes out this spring. If anyone is interested in learning more, follow our Facebook page “Fearnside and Fearnside” or our Kickstarter, “Lee and Andrew Fearnside.”
1) Tell us a little bit about yourself. How did you get into writing?
When I was about ten or eleven I started writing a kind of science fiction/fantasy/horror novel. I suppose it was a kind of escape; I was not the happiest of kids. I wrote the beginning in longhand, but after a couple of months taught myself to type on an old manual typewriter that was sitting around in my room. The book wound up being exactly 138 pages, single-spaced. I’ve been writing ever since, with long lapses until I hit my late twenties and decided to really make a go at doing it professionally.
2) What inspired you to write your book?
Well, in the case of Net Force, which was a previously existing—if long dormant—bestselling franchise, it’s kind of different from a novel I would conceive entirely on my own. I was initially asked to relaunch the series, but the whole process took a while, and there were extended lulls before it all came together. Finally I made a big push to convince everyone involved that the time was right to get it done, cybersecurity and the evolution of cyberspace being very much at the forefront of our collective awareness nowadays. It took a lot of work and patience, but here we are, happily!
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3) What theme or message do you hope readers will take away from your book?
I have three epigraphs. One quote is from President John F. Kennedy: “What unites us is far greater than what divides us.”
I like the word “theme” better than “message,” and if the series does have a theme, JFK put it very succinctly. We’re living in a time of great challenge. Political, moral, ethical, environmental, technological, social … this is a hinge-point in terms of our very survival and evolution as a species. If humanity’s going to make it, we’re going to need heroes of all nationalities and ethnicities and genders to stand up against the forces that threaten our freedom … and our existence.
That’s where Net Force comes in.
4) What drew you into this particular genre?
I’ve written books of almost every type, and like working in many different genres. I don’t think of Net Force as being one thing or another … to me it’s just a thriller, with elements of mystery, suspense, cyberpunk and other categories. I get to use my whole toolkit, and that’s part of the fun.
5) If you could sit down with any character in your book, what would you ask them and why?
Hands down, it’s Kali Alcazar. But I wouldn’t ask her anything in particular. I’d just want to have a long conversation with lots of good, strong coffee for us to drink. Kali is 28 years or so and going on a thousand; an old, old soul. There are oceans of depth to her. You could know Kali for years and still feel she’s a mystery. But there’s a core certainty about her, a knowingness, that’s rock solid. Once Kali makes a decision, she never questions it, never second guesses herself. That’s very different from how I’ve been most of my life, though I’ve gotten more like her in recent years. Kali’s someone you can depend on in extreme moments. At the same time, she isn’t infallible. She is who she is by choice, and some of those choices have taken her down difficult roads. But she’s true to herself and her values and the things and people she cares about. If she’s on your side, she’ll stand with you through any hardship and danger … but don’t cross her or you’ll regret it!
6) What social media site has been the most helpful in developing your readership?
To be completely honest, I’m not convinced social media works that well. It still seems to me that one good radio or tv appearance is worth any number of tweets or Facebook posts. But I’m keeping an open mind and staying at it, so let’s say the verdict’s still out.
7) What advice would you give to aspiring or just starting authors out there?
If you really want to write, be disciplined, and don’t sit around waiting for inspiration. I love baseball and always use the analogy of a batter getting in his daily repetitions, or reps. Hitters need routine, they need steady, regular at-bats. Sit them for a few days, and they slip off their game. My father toiled in a factory most of his life, a garment sweatshop, and what I got from him was my work ethic. He never missed a day of work in his life and I admire that. You do it every day. Doesn’t matter how you feel. You get up and go to work.
8) What does the future hold in store for you? Any new books/projects on the horizon?
I finished the first Net Force enovella—a prequel that spotlights Kali and CIA manhunter Mike Carmody—last August. It’s called Eye of the Drone and will be out in June and it kicks butt. And I’m currently writing my second Net Force novel, which will be released in the autumn of 2020. Last but not least, I have a Civil War narrative history about a colorful character named Will Cushing that’s due out in October 2020. So, thankfully, I’m keeping busy!
Jerome Preisler is the prolific author of almost forty books of fiction and narrative nonfiction, including all eight novels in the New York Times bestselling TOM CLANCY’S POWER PLAYS series.
His latest book is NET FORCE:DARK WEB (November 2019), the first novel in a relaunch of the New York Times bestselling series co-created by Tom Clancy. Forthcoming in May 2020 is the enovella NET FORCE: EYE OF THE DRONE.
Among Jerome’s recent works of narrative history are CODE NAME CAESAR: The Secret Hunt for U-boat 864 During World War Two, and FIRST TO JUMP: How the Band of Brothers Was Aided by the Brave Paratroopers of Pathfinders Company. His next book of nonfiction, CIVIL WAR COMMANDO: William Cushing’s Daring Raid to Sink the Invincible Ironclad C.S.S. Albemarle,will be published by Regnery Books in October 2020.
1) Tell us a little bit about yourself. How did you get into writing?
I got into writing through journalism. For several years I wrote for newspapers and magazines as a freelancer. My specialty was music journalism, which is good training for writing fiction. Writing about music is almost impossible to do!
2) What inspired you to write your book?
I was (and am) inspired by the place where I live: the seasons, the people, the history. The material is very rich for writing.
3) What theme or message do you hope readers will take away from your book?
Live life to the fullest, and be tolerant of others. Also, have a sense of humor!
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4) What drew you into this particular genre?
This book is not easily pegged to be a specific genre. For marketing purposes, it is called science fiction, and it does have sections of sci-fi, but there is more contemporary fiction in it than anything else.
5) If you could sit down with any character in your book, what would you ask them and why?
I’d love to talk to Tai-Keiko because she is from another millennium. I would ask her to describe life in her time to ours.
6) What social media site has been the most helpful in developing your readership?
The jury is out on this one. I think that the social media platform called “word of mouth” is the best of all.
7) What advice would you give to aspiring or just starting authors out there?
Don’t be afraid to take chances.
8) What does the future hold in store for you? Any new books/projects on the horizon?
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I have just finished my next book, “Dangerous Crossing.” It takes place on the border between the US and Mexico, and is concerned with contemporary issues, such as immigration, drug smuggling, human trafficking and sports gambling. It is due out early in 2020.
R. Douglas Clark was born in Vermont, grew up in Colorado, attended college in Chicago, and received a Master’s degree in music from Brown University. Seeing no future for himself in academia, he spent a year in the Oregon woods, living in a primitive cabin, writing music reviews and cultural commentary for magazines and newspapers. Next stop, Eugene, Oregon where he spent 20 damp years as a bootstrap businessman, father and musician. On a vacation trip, he and his wife, Shelley, fell in love with sunny northern New Mexico and subsequently moved there. After four years running Boys and Girls Clubs in Chimayó and Abiquiú–and another four, running a U-pick raspberry farm–he retired to write fiction full time.
What goes better in the morning than a muffin? Join us as we celebrate the launch the blog tour for author R. Douglas Clark’s book Welcome to Maravilla. Read an interview with the author and win a copy of the book.
Middle Schooler Carmen Otto reviews R. Douglas Clark’s Welcome to Maravilla and explains to her friends why this is a great book for even young readers.
Nicole Pyles reviews Welcome to Maravilla by R. Douglas Clark and delights readers at World of My Imagination with an opportunity to learn more about this fast-paced sci-fi novel!
Today’s guest author at Memoir Writer’s Journey is R. Douglas Clark with an article about _________. Join Kathleen Pooler’s audience as they learn more about Clark and his latest book Welcome to Maravilla.
Sreevarsha reviews Welcome to Maravilla by R. Douglas Clarks and delights readers at To Write or Not To Write with her thoughts about this excellent novel!
Learn more about R. Douglas Clark and his new book Welcome to Maravilla as he shares a few thoughts in an interesting interview with Nicole Pyles at World of My Imagination.
Today’s Book Spotlight at Breakeven Books is Welcome to Maravilla by R. Douglas Clark – don’t miss this great opportunity to add this lovely new novel to your collection!
October 28th @ Lisa Haselton Reviews and Interviews
Lisa Haselton interviews R. Douglas Clark about his latest novel Welcome to Maravilla . Readers will delight in learning more about this science fiction story with it’s courageous characters!
I am honored to be able to share this next guest blog post with you all. Writer Greg Josselyn from Reedsy has reached out with a brand new post on the Blurb Factor to share with aspiring authors and writers out there. Enjoy and be sure to follow Greg’s work on Reedsy.
From botched to bestselling
When romance writer Alessandra Torre uploaded her first book on Amazon eight years ago, she only sold three on the first day. And for the next few months, she averaged a still-disappointing 15 – until one night, she looked at her book description and said: “I’m going to re-write this.”
That re-write sparked a renaissance. First, it was 100 books sold in one day. Then 300. Then 2,000. That’s when she started ranking as a top seller in the Romance category, and offers from agents and publishers came flooding in. Now, Torre is an Amazon International bestselling novelist, with over a dozen books to her name.
We can’t pin Torre’s success entirely on a book blurb – she is a good writer, after all! But we would be remiss not to poke around the subject, especially since this is a great Amazon self-publishing success story. The fact is, without the social credit and marketing budget of a big publishing house, the seemingly small things we usually save for last – like book descriptions – will make or break you.
If you’re a writer who’s planning to self-publish, this post will help improve your book description (or back cover text) and grow your profitability on Amazon. But even if you aren’t quite at that stage yet, you can apply these techniques to query letters and pitches for your book. After all, it’s never too early to start selling people on your ideas.
Step 1: Get a hook and bait
Hook, hook, hook. That seems to be all writers and editors ever talk about, and yet, most of us still wonder what it really means. When we say “hook”, we mean like a fish hook, with – you you guessed it – bait. This is particularly important in the sea of distractions that is Amazon.com. But what are the raw materials that will make up your hook and bait? You’ll require:
A brief – we cannot stress this enough – summary of the story (no spoilers, please!)
A question that the story poses (which, of course, makes the reader want to find the answer so much that they’re willing to pay $9.99 for it). What’s going to compel Suzie So-And-So to forgo her mocha lattes this week for your book?
A little typography dress-up. You don’t have to go to coding boot camp to try on bolds, italics, and colors when setting up your product page. For example, on Amazon, you can:
Make things bold: <b>Be Bold My Friend, Be Bold</b>
Italicize Things <i>don’t go overboard though here because sometimes readers breeze over italics </i>
Headline: <h1>This is a classier way to do all caps</h1>
Amazon Colors: <h2>Jeff Bezos will approve.</h2>
Indent: <blockquote>for anyone who likes a good old indent, you’re welcome. </blockquote>
Step 2: Blurb it out
Try to think of your book description in the most succinct terms possible. This isn’t a school book report; it’s like more like an elevator pitch. In other words, don’t blurt it out – blurb it out!
And when it comes to blurbs, our friend Torre is the master. If she didn’t revise the blurb for her first book, she may have switched careers instead of rising to the New York Times best seller list, which is why we always refer aspiring writers to her video tips on the subject. But in brief, she stresses these two essential facts:
The first three sentences of the blurb matter most. It’s like a teaser trailer – after those three sentences, users are going to have to click “Read More” to well, read more. To keep them scrolling, or get them to move onto the “full trailer,” as it were, those three sentences should stand out by utilizing the problem/question structure mentioned above.
One strong way to do that is to employ the classic proposition “but.” For example: “Will Byers lived a normal life in a boring suburban town. But when a mysterious alien creature shows up, his life turns upside down. Will it ever turn right side up again?” (Read More…)
Leave out unnecessary details. All too often, authors use their blurbs to share irrelevant details like character surnames, where they live, their professions, or other excess exposition to no end. Cut all of that out – just set up the problem and the stakes of the story. You can always go full-on Charles Dickens in the actual book. But don’t make your blurb into Bleak House, or you’ll send readers running for the hills.
Step 3: Demonstrate (and prove!) a social benefit
You’ve done it all so far: The blurb is short enough for a social media share. Your first three sentences set up a key question and further dilemma. You’ve omitted unnecessary details, like your character’s middle name or their township’s population.
And yet, potential readers are still scrolling to click on other book titles in your category. Yes, it could be other factors like book cover design and reviews, but still – there’s one last ingredient needed to seal the deal on your blurb. This is, of course, why the book matters to the potential buyer. What does your book provide for them? How will it make an impact on their life? Advertisements do it all the time, so why not utilize this technique to sell your book?
For example, if your book is self-help, be sure to mention that they’ll never think the same way about X problem ever again. Or if it’s fiction, show how your main character is relatable to readers, and how they overcome problems that many of us experience in our own lives.
If you have reviews or testimonials to prove this, even better: up the social proof to the max. And if you’re new to self-publishing, drawing comparisons to pre-existing works is one great way to do it (e.g. “This Gender Bending Historial Fantasy is Games of Thrones meets Queer Eye), or just stress how it’ll change the reader’s way of looking at the world (“fantasy fans and fashionistas will never be the same again…”).
Takeways
In order to make a successful book blurb, be sure to include:
An enticing lead to grab readers
A question that a reader can only answer by actually reading your book
Proof that the story will benefit the reader’s life – this might be pure entertainment, or genuine self-improvement
There are endless ways to play around with these elements. Try out different options – at least three – and test them with friends and family, as well as pro beta readers. Ask: which description pulls you in? Which one doesn’t do it for you? And why? Or, do an A/B test in Amazon: swap out the different descriptions and see which one performs the best.
Still no sales? Keep re-writing and testing until you do, like Alessandra Torre. Otherwise, accept that the marketplace just may not be ready for this particular book, and start re-examining your content from the ground up.
Greg Josselyn is a writer for Reedsy, a curated marketplace dedicated to empowering authors. When he’s not covering KDP Select, he writes short fiction and makes podcasts.
Hey everyone, Author Anthony Avina here. I’m honored today to be sharing with you this guest blog post from author Madeline Sharples, author of the recently reviewed book, Papa’s Shoes, in association with Women on Writing Tours. I hope you all will enjoy it and please make sure to comment on this post and share it as well. Enjoy everyone.
I didn’t think I had another book in me after I finished my novel, Papa’s Shoes. Writing that took a long time even though I didn’t work on it straight through all those nine years. But when I had finished the tenth revision, I felt my book writing days were over.
However, I started to get itchy to write something else when I started querying publishers – exactly what I did in 2010. I started my novel while I was querying publishers for my memoir, Leaving the Hall Light On.
I took one look in the mirror and realized from my aging face that I’m at that stage in my life when I have almost all of it to look back on. I just turned seventy-nine, and my mirror told me I looked it.
So I thought I could write a memoir from an old wise woman’s approach to turning eighty. I could write about the secrets of staying married to the same man for forty-nine years and living in the same house for forty years. Really where have all those years gone? And really that brings up another big question – how much time do my husband and I have left anyway, and what are we doing to prepare for our last years? Or better yet, how we’re handling our lives right now as we age – each at a different paces. Yes, I decided another memoir or even two are a real possibility. The options are endless: how we’re still working at surviving the loss of our son in 1999, what we eat, how we sleep, my health and exercise program, about our travels, and what do we do all day at our age.
Another thing that triggered my decision to write this new memoir is the many people my age who are sick or have died. Just yesterday I heard about the death of a wonderful work colleague and friend much younger than me who died of a massive heart attack. With those facts in mind I decided to bring aging healthy into the book. I am very fit for my age. I workout every day and eat healthy. Why couldn’t I write a memoir about aging healthy?
I hope readers will take a good look at themselves and what they are doing to live the rest of their lives successfully. I hope they will take my examples about what to do and what not to do as I age seriously. For example, I recently spent a few days with my cousin who is four years younger than I. She is out of shape and doesn’t eat very healthy. But while I was with her we took long, fast walks every day, and she’s still taking them even though I’m not with her. She says I was an inspiration to her. I hope to be an inspiration to all my readers.
I also have to contend with the hardest parts to write: 1) the lasting effects of our older son’s suicide death in 1999, 2) my married son and daughter-in-law’s decision to live a married life without children, and 3) some regrets about decisions I’ve made over the years. I know all of us have life experiences that are hard to write and talk about. We also have regrets. Hopefully my writing about these things will engage my readers in thinking how they’ve lived their own lives and what they can improve on for their futures.
So far, I’ve written the first draft to this brief outline:
PART ONE
What stage of life I am in right now
A little looking back – maybe incorporate my reunion experiences of seeing old classmates and being in the neighborhoods where I grew up
What I see when I look in the mirror
My daily routine
What I do to take care of myself
How much I like my privacy and alone time
My physical maladies
My emotional life
My depression and suicidal thoughts
I say I’m a writer, but what do I really write
My writing routine
My volunteer life: South Bay Cares and WriteGirl
My married life
How my son’s death affects my life now
What about no grandchildren – how has that affected my relationship with my son and daughter-in-law
How I spend my time
Friends and relatives – how much I back away
What I see for the future
What’s next on my bucket list
End of life directives
My beliefs or lack thereof of an afterlife, and my lack of a spiritual life
PART TWO
What advice I give to those heading my way
PART THREE
How I feel about turning eighty and repairing for my imminent
About the Book:
Papa’s Shoes, a work of fiction about immigration with a feminist and historical bent. At 99,968 words, Papa’s Shoesis a stand-alone novel with series potential.
Ira Schuman is determined to move his family out of their Polish shtetl to the hope and opportunities he’s heard about in America. But along the way he faces the death of three of his four sons, a wife who does not have the same aspirations as his, and the birth of a daughter, Ava, conceived to make up for the loss of his boys. Ava grows up to be smart, beautiful, and very independent.
Besides having a feisty relationship with her overly-protective mother, Ava falls for the college man who directs her high school senior class play. With the news that she wants to marry a non-Jewish man, Ira realizes that his plan to assimilate in the new world has backfired. Should the young couple marry, he must decide whether to banish his daughter from his family or welcome them with open arms. Even though he won’t attend their wedding, he makes her a pair a wedding shoes. In his mind, theshoes are simply a gift, not a peace offering.
· Print Length: 286 pages
· Publisher: Aberdeen Bay (April 27, 2019)
· Publication Date: April 27, 2019
· ASIN: B07R7MQ6CM
Praise:
“From an insightful storyteller, Papa’s Shoes, is a heartwarming story of courage and love. Author Madeline Sharples has created an epic journey with intriguing twists and surprises along the way. From days of old in Poland to cultural and economic realities in America, this is an awe-inspiring novel about families, generational history, and the incredible power of change. You truly won’t want to put it down!”
—D.A. Hickman, author of Ancients of the Earth: Poems of Time
“Author Madeline Sharples tells the intimate story of an American family, of immigration, tragedy, renewal, and love with grace and the delicate touch of a poet. There’s a raw kind of sweetness in this rich and epic saga.”
—David W. Berner, author of The Consequence of Stars and A Well-Respected Man
“An immigrant family’s braided history – its conflicts, losses, and secrets – come to life in Papa’s Shoes. With loving attention to detail, Madeline Sharples transports readers from a Polish shtetl to the Illinois town where Ira and Ruth settle, and shows us the intimate workings of their
marriage. This family’s triumphant journey to the American Midwest will inspire you long after
you’ve closed these pages.”
—Eleanor Vincent, author of Swimming with Maya: A Mother’s Story
A longer synopsis
On a cold and pouring night in Sokolow Poland, Ira Schuman carefully steps over the red mud puddles on the streets, sad, weary, and soaked. He dreads what he’ll find when he arrives at his two-room house in the Jewish section of the stetl. He envisions his mourning wife, Ruth, angry he wasn’t home when three of their four boys died during a flu epidemic.
As he enters the silence in what was once a home full of the loud voices and cries of little boys is deafening. However, he can’t wait to embrace Ruth, comfort her despite his own grief, and tell his surviving son about his love for America.
Ira’s goal is to become Americanized and bring what’s left of his family to a small town in Illinois, when he has enough money and an established business. Ruth doesn’t want to leave Poland and the graves of their three dead sons.
After their initial cold and difficult reunion, Ira keeps his promise to impregnate Ruth before he goes back to Illinois. Three years later he sends her the money to follow him to Illinois with their son age 10 and little girl, Ava, age three. Ruth agrees to leave Poland because of fears that the Russian army will recruit her son.
After a short stay in Chicago, the family moves to Danville IL, where Ira joins his brother in their shoe-making business. Though free of his long hair, beard and forelocks, and wearing modern clothes without the four-cornered yarmulke he threw into the Atlantic Ocean, Ira wants to bring a semblance of Orthodox Jewish life to his family and his new town. He creates a synagogue, hires a rabbi, and arranges the delivery of kosher meats. He also begins an affair with a chubby but curvy redheaded widow. Ruth, who smothers Ava and tries to keep her a little girl, has grown fatter and more unkempt, always wearing the same tight-fitting black dress she wore in Sokolow. She wants no part of Ira’s synagogue work.
Ruth keeps her hold on Ava, antagonizing her daughter. They argue continuously throughout Ava’s school years. Ava gets the lead in her senior high school play, and she and the director, a student at the local college, strike up a relationship – she tells her parents they are just friends when he picks her up to take her to school events.
Her brother, in law school in Chicago at nights and working in the textile business during the day, comes home and warns his parents that if they don’t move her away from this gentile, he will take her to Chicago himself. Ira agrees to let Ava go; Ruth does not. In the end her brother’s argument wins. Ava, ever respectful of her parents and out of her love for her brother, tells her director friend that she must leave. They are devastated but stay away from each other until the day before her departure.
In Chicago, Ava’s brother introduces her to a suitable man. He’s a bit of a milk toast, messy, and not very motivated in school or business, but he’s nice and attentive so she goes out with him for quite some time. Her rationale is that dating him will protect her from meeting someone she could actually fall for. She also experiences the modern ways of young women in the 1920s. She goes to dance halls and speakeasies, speaks flap talk, works as a seamstress, designs her own short and swingy dresses, and lives freely away from her mother. Her suitor proposes, but Ava says, “What a pretty little ring,” instead of yes.
After continued pleas from her director friend and her still undying love for him, Ava returns to Danville as a mature and determined young woman. She withstands a blow-up with her parents when she tells them she wants to marry her gentile friend. Ira throws her out. That night he goes to the synagogue to say the mourner’s kadish for his daughter but decides to break up with the red-headed widow and mourn his relationship with her instead. To assuage his guilt, he makes her a pair of shoes that she wears at her wedding.
While Ava is sad not to have her family with her at her wedding, she is hopeful that her mother and father will come around. Her biggest fear is that she will never see her brother again, the man she loved and looked up to all her growing up years. However, she is happy with her decision to marry her love no matter how they feel.
About the Author
Madeline also co-authored Blue-Collar Women: Trailblazing Women Take on Men-Only Jobs (New Horizon Press, 1994), co-edited the poetry anthology, The Great American Poetry Show, Volumes 1, 2 and 3, and wrote the poems for two photography books, The Emerging Goddess and Intimacy (Paul Blieden, photographer). Her poems have also appeared online and in print magazines, e.g., in the 2016 Porter Gulch Review, Yellow Chair’s In the Words of Womyn 2016 anthology, Story Circle Network’s journals and anthologies, the Best of Poetry Salon 2013-2018, and the Vine Leaves Literary Journal: a Collection of Vignettes from Across the Globe, 2017. And her articles have appeared in the Huffington Post, Naturally Savvy, Aging Bodies, PsychAlive, Story Circle Network’s HerStories and One Woman’s Day blogs, and the Memoir Network blog. One of Madeline’s essays has also appeared in the My Gutsy Story Anthology by Sonia Marsh.
Madeline also co-edited Volumes 1 and 2 of The Great American Poetry Show, a poetry anthology, and wrote the poems for two books of photography, The Emerging Goddess and. Besides having many poems published in print and online magazines, writes regularly for Naturally Savvy, and occasionally for PsychAlive, Open to Hope,and Journeys Through Grief and The Huffington Post.
Madeline Sharples launches her tour of “Papa’s Shoes” with an insightful interview and giveaway at the Muffin!
June 4th @ Coffee with Lacey
The lovely Lacey reviews “Papa’s Shoes” by Madeline Sharples and shares her review with readers at Coffee with Lacey. This is a blog stop and review readers won’t want to miss!
Lisa Haselton interviews well known author and memoirist Madeline Sharples about her latest novel “Papa’s Shoes” – the story of a Polish shoemaker and his family as they settle in America. This insightful interview is one you won’t want to miss!
Beverley A. Baird shares her thoughts after reading the touching story of a Polish shoemaker and his family as they settle in America – “Papa’sShoes” by Madeline Sharples is a book that is sure to please readers!
Today’s guest author at Words from the Heart with Linda Neas is none other than well-known author and memoirist Madeline Sharples. Today, her guest post is titled “How I reinvented myself from a technical writer and editor to a creative writer – and at my
age.” Heart from Madeline and learn more about her latest novel “Papa’s Shoes”!
Last week, readers at Words from the Heart with Linda Neas read a guest post penned by Author Madeline Sharples and today, Linda will share her review of Madeline’s latest novel “Papa’s Shoes”. This is a blog stop you won’t want to bypass!
Fellow author and memoirist Linda Appleman Shapiro shares her review of “Papa’s Shoes” by Madeline Sharples. Don’t miss Linda’s insight into this touching story of one Polish shoemaker and his family as they move to America!
Nicole Pyles reviews the latest best selling novel “Papa’s Shoes” by Madeline Sharples – readers will delight to hear what Nicole thinks of this crowd pleasing story of one Polish shoemaker and his family!
Vicky Brinius reviews “Papa’s Shoes” by Madeline Sharples. Find out how she feels after reading this touching story of one Polish shoemaker and his family as they settle in America.
Fellow author Anthony Avina reviews “Papa’s Shoes” by Madeline Sharples – this is a touching story of one Polish shoemaker and his family as they settled in America.
Amanda of Amanda Diaries reviews Madeline Sharples latest novel “Papa’s Shoes” – read Amanda’s review and add this lovely story to your TBR pile today!
Readers at Anthony Avina’s blog will delight with today’s guest post and author interview with Madeline Sharples – learn more about her and her latest work!
Lisa Buske shares her review of “Papa’s Shoes” – the latest novel by Madeline Sharples and a touching story of one Polish shoemaker and his family as they settle in America.
August 12th @ Kathleen Pooler’s Memoir Writer’s Journey
Readers and writers alike will want to stop by Memoir Writer’s Journey to hear from Kathleen Pooler and friend / fellow author Madeline Sharples as they discuss Madeline’s latest book “Papa’s Shoes”.
This is Anthony Avina here. I’m happy to share with you guys this amazing guest post from the amazing people at BetterHelp and Regain about the mental health struggles of writers. I hope you guys will enjoy this post and gain some helpful insights into the life and mental health struggles writers go through.
Writing is a rich, rewarding profession; at least if you’re successful with it. However, even the most successful writers face mental health struggles. In this post, we will explain a few struggles a writer of any level may face.
Help for Your Struggles
Being a writer is hard, and sometimes you need to work on your own mental health to be a better writer. If you are suffering from depression, anxiety, hopelessness, or need advice you should seek out the help you need. With so many writers busy at home, online therapy is becoming the new method of getting help. For more information, click this link: https://www.regain.us/advice/
The Fear of Rejection
Rejection is difficult for anyone to take, no matter your resistance to it. Rejection can come in many forms. If you’re a fiction author trying to publish the next great novel, getting dozens of rejection letters is a challenge. You just want to give up and keep your writing to yourself, or self-publish. Sure, you can hear inspiring stories about how the biggest authors got rejected hundreds of times, but it’s hard to stay motivated even then.
For a freelance writer, a potential client rejecting you and hiring someone else can be hurtful as well. You may wonder what you did wrong, and wonder if your work is any good at all. This especially applies if you don’t know why the rejection happened.
Getting past rejection is a challenge. While many say it gets better with time, others still struggle with it.
The Fear of Criticism
This is similar to the rejection fear. Your work gets out, and you want to hear what others are saying. Even if the reception is mostly positive, people tend to focus on the vocal minority of negative reviewers, and they may be upset or defensive over their work.
Even if you write the next great American novel, there is always going to be dissent. Handling criticism can be done in many ways. Some just ignore their critics, while others listen to the critics who have interesting points and see if they can make changes. With that said, don’t change your work just because you read a bad review.
For some writers, creativity is always around the corner. For others, creativity comes in droplets. Writer’s block can affect a writer, and everyone fears it, especially if your income is dependent on your creativity.
Exercising creativity is a good way to get the juices flowing. Not overthinking your creativity is a good move too. Many people get their best ideas when they aren’t thinking too hard. However, this does not apply to everyone.
Staying Isolated
Many people dream of being writers because they like the idea of working from home, with no one watching you. However, many writers feel lonely or cooped up in their home, especially if they are single. However, even writers who have families may struggle with loneliness. If you have kids, teaching them the value of writing is a good way to get rid of that loneliness. For more information, click here or look here.
That’s why some writers may go to coffee shops or other social gatherings. Alternatively, you can write in nature if you have a laptop and Internet access if your work requires that.
It’s a Rewarding, Yet Tough Career
If you can get past the mental health struggles of writing, it can be a rewarding career. When you have all the bumps bypassed, writing is great for the mind and can lead you down a path of creativity. Speak to other writers, or a therapist, if you’re having any struggles or doubts. People can help you, and you can succeed with your work.
Author Anthony Avina here. How is everyone today? I’m here to introduce this amazing guest blog post from writer Emmanuel Nataf on the five mistakes authors make on their first time writing books. I hope you guys will enjoy this amazing article and be sure to follow Emmanuel on all of his writing adventures!
Aristotle wrote, “For the things we have to learn before we can do them, we learn by doing them.” In other words, there’s literally no way to learn certain things other than by actually doing them — and writing a book is one such thing.
That being said, aspiring authors can definitely prepare themselves for the process of writing a book by learning from others. With that in mind, here are five common mistakes first-time authors make — and how to avoid them!
If your preferred method of writing is to let your pen lead the way, then you’re probably a big fan of freewriting — which is a great exercise! But, in general, setting out to write a book without creating at least a loose outline tends to result in an ever-growing pile of unfinished manuscripts.
Just like you would consult a map to help you drive from Point A to Point B in unfamiliar territory, creating an outline before you start writing a book can help you get from “Once upon a time” to “Happily ever after.” Simply check your outline any time you feel you’re starting to lose the plot.
Here are three popular outline methods you can try out:
The Beat Sheet — makes note of just the book’s significant beats (important incidents in the story). Check out an example of Toy Story 3 mapped out by just it’s beats here.
The Character Driven Outline — maps out a story through character development.
The Synopsis — a detailed and holistic story outline that touches on all important story aspects: characters, conflicts, themes, etc.
2. Not getting to know their characters well enough
If you were to go on an extended trip with someone you barely know, chances are that conflicts of personality or unexpected challenges would come up. However, if you were to travel at length with someone you know well, you would already have an idea of how to navigate any potential conflicts, and would likely find your journey a bit smoother.
Writing a novel is like going on a trip with your main character(s). You’re going to be spending long hours with this character, exploring unfamiliar territory together, and basically relying on one another for a meaningful outcome. So before you set out on the journey of writing a book, get to know your protagonists as much as possible.
In-depth character development involves more than simply coming up with a memorable character name. A great way to get to know your protagonist a little better is by simply asking “them” questions. I know that might sound silly, but the more you ask, the more you’ll answer! To get started, check out Arthur Aron’s 36 Questions That Lead to Love or The Proust Questionnaire.
3. Not reading at length in their genre
If you’re writing a science fiction novel, chances are you’ve probably read Frankenstein, The Time Machine, and other sci-fi classics. It’s unlikely that someone who’s never read a single fantasy novel will suddenly decide to write a book involving an intricate magical system.
That being said, there’s a difference between reading for pleasure vs. to understand a genre.
If you’re planning to write genre fiction, pick up some classics as well as some newer publications before you begin. Read them with a discerning eye, looking for tropes that pop up again and again, new elements that the books bring to the table, and trends that have come and gone within the genre. This will help you get a sense of readers’ expectations, how to ensure your book stands out, and whether your story feels timely.
4. Not devoting enough time to developmental editing
While every writer knows the importance of meticulous proofreading, it can be tempting to rush the stage that comes before a proofread: developmental editing, which involves fine-tuning the story. It can be difficult for authors to do this themselves, as they’re often too close to the story and might not recognize things like plot holes or unclear worldbuilding. So it’s a good idea to consider working with a professional editor or beta readers.
If you do decide to do your own developmental editing, here are a few questions to keep in mind as you edit:
Language: Are there any words frequently repeated throughout the manuscript? Are there too many instances of passive voice? Are there filler words that can be removed?
Characters: Does the development of the character match the development of the narrative? Are there any instances where a character acts inconsistently?
Structure: Does the sequence of the scenes feel logical? Is the structure easy for readers to follow? Does the structure of the scenes allow the story to develop in the best way? Are there any scenes that aren’t completely necessary to the story?
Plot: Are there any plot holes? Are there any plotlines that are unresolved?
5. Not following the golden rule: show, don’t tell
This is one of those “rules of storytelling” you hear so often, it’s hard not to roll your eyes when it comes up. And while there’s nothing that encourages you to break the rules quite like art, there are certain tricks of the trade that are long-standing for a reason. “Show, don’t tell” is one of them.
But what does it actually mean? Well, showing instead of telling aims to immerse readers in a story by putting us in the character’s shoes. Instead of saying “Joe was shy,” we see Joe off to the side at a group event, nervously playing with his cufflinks, avoiding smalltalk by texting on his phone. As Anton Chekhov put it: “Don’t tell me the moon is shining. Show me the glint of light on broken glass.”
While the best way to learn anything is by making mistakes — and then learning how to fix them — I hope this post will help you sidestep some of the more common ones so that you can focus on simply telling a great story.
Emmanuel Nataf is a founder at Reedsy, a marketplace and set of tools that allows authors and publishers to find top editorial, design and marketing talent. Over 4,000 books have been published using Reedsy’s services.
1) Tell us a little bit about yourself. How did you get into writing?
I’ve always written. I remember sitting at my parent’s Underwood and typing out stories, probably about dogs, cats or spacemen. In college, I wrote for the school paper and a couple of local papers, the Berkeley Barb and the San Francisco Express-Times. In 1979, a friend asked me what I wanted to do with my life. “I want to be a writer,” I said. She said: “Write for television. That’s where the money is.”
I took her advice and cranked out a few spec scripts for TV shows I liked. One of them got the attention of the producer of Buck Rogers, and I wound up writing two episodes, which got me into The Writers’ Guild. Then the Guild went on strike, and I, with a family to support, needed work. A local company, Filmation, was looking for writers for a new cartoon show, She-Ra, Princess of Power (cartoon writers were not in the Guild). I got on staff at the show, wrote and edited a bunch, and spent the rest of my TV career writing ‘toons, along with a few non-fiction books for kids.
2) What inspired you to write your book?
This sounds like a line from a bad movie, but it came to me in a dream. I was sitting in an office with – of all people! – Mindy Kalin, who was reading a script I’d written. In my waking life, I’d never have thought of pitching to her. She put it down and turned to me: “This is pretty good. Did you write it?” My dream self was offended, and I replied: “No. I got it from the Story Store.” (it’s a writer’s jokey answer to the question, “where do you get your ideas?”). My book, once called “The Story Store” came to me. Of course pretty much everything including the title, got changed.
3) What theme or message do you hope readers will take away from your book?
I don’t think much about messages. I mostly write things I’d like to read. A reviewer pointed out a theme in Losing Normal of “screen addiction.” So let’s go with that.
4) What drew you into this particular genre?
I’ve always written for kids. I am a twelve-year old boy in an old man’s body.
5) If you could sit down with any character in your book, what would you ask them and why?
My first thought was, I’d like to ask Sophie how she could think that adoration from mind-numbed people had anything to do with ‘perfection.’ That seems pretty tongue-in-cheeky, though. I ought to have a more serious answer.
6) What social media site has been the most helpful in developing your readership?
None of them so far. I have some Facebook friends, a few Twitter followers. But I’m lousy at it.
7) What advice would you give to aspiring or just starting authors out there?
Read a lot. Write a lot. Don’t wait for ’inspiration.’ Find other writers, either IRL on online, and share your stories. Do something for your writing life every day.
8) What does the future hold in store for you? Any new books/projects on the horizon?
My current project is promoting the hell out of Losing Normal (hence this prompt reply to your questions). Books: I’ve got more stories to tell than I have time to write. KillGirl is my next one (currently 50K+ words in a 2nd draft): a teenage girl seeks revenge for the murders of her grandparents. After that, a middle-grade adventure (maybe a series), about a young boy in WW II England; and a science-fiction story about the multiverse.
Francis Moss has written and story-edited hundreds of hours of scripts on many of the top animated shows of the 90s and 00s. Beginning his television work in live-action with Buck Rogers in the 25th Century, he soon starting writing cartoons on She-Ra, Princess of Power, Iron Man, Ducktales, and a four-year stint on Teenage Mutant Ninja Turtles, writing and story-editing more episodes than you can swing a nuchaku at.
One of his TMNT scripts, “The Fifth Turtle,” was the top-rated script among all the 193 episodes in a fan poll on IGN.COM. A list of his television credits is at IMDB.COM.
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