Tag Archives: science fiction dystopian

Warspace by Jay Rodan Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

A veteran must enter a virtual world called Warspace to find the woman he loves before her psyche can be lost to the warped reality of the world’s creator in author Jay Rodan’s “Warspace”. 

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The Synopsis

James Ward, a haunted veteran of the Last War, ekes out a living as a wrestler in the flooded remains of Miami, fighting cybernetic human-insect hybrids on rooftops for cash. There, he meets and falls in love with the artist and thief, Ana dos Santos, amid the post-war debris littering the lagoon. Their happiness is short-lived. When Miami is invaded by a fanatical foreign power, Ana refuses to be forced back to a life she has left behind, and downloads her mind into a digital replica of reality, a secretive online war-game environment called Warspace. Vowing to find her, Ward volunteers for Warspace as a soldier, hoping to locate Ana’s psyche before she is lost forever in the simulation. As Ward goes deeper into this mind-bending mirror-world, he learns that it’s begun to behave according to the eccentric whims of its unstable creator, and that finding Ana – already a daunting task – has become a matter of personal, possibly global, survival.

The Review

The author did an incredible job of crafting a futuristic sci-fi noir thriller that will have readers’ hearts pumping from the outset. The imagery and atmosphere the author used in their writing allowed the reader to feel transported to both the dystopian Miami of the “real world” and the Warspace digital setting that brought the chaos and tension the author’s world needed to further the narrative.

The rich character dynamics and world-building the author captured in this narrative felt vibrant and cinematic in its delivery. The emotional connection Ward makes with Ana keeps readers invested in the narrative, and the visceral atmosphere this tech-fueled sci-fi story brings to life highlights the powerful themes of the rise of technology such as the Metaverse that both highlights the infinite possibilities that reality has to offer while also showing the dangers that follow.

The Verdict

Captivating, haunting, and entertaining, author Jay Rodan’s “Warspace” is a must-read sci-fi thriller! The twists and turns the narrative takes and the action-fueled world the characters are thrust into highlight the dangers and enemies lurking within this technological world, and the emotional bond between the protagonists will have readers invested as the final pages leave them breathless and eager for more from this talented author. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Jay Rodan is a screenwriter, producer, novelist, and actor. He was born in Durban, South Africa to a Scottish father and South African mother. Their nomadic lifestyle meant he was raised in London, Edinburgh, Vancouver, including a stint in an ashram in India while following a guru. In 2006 he moved to Los Angeles, where he now lives with his wife Kayt Jones and their three daughters. He has appeared in multiple independent films with directors Kasi Lemmons, Franco Zeffirelli, Bernardo Bertolucci, and others. He starred as Marc Anthony in TNT’s Julius Ceasar opposite Christopher Walken, and on ITV’s hit soap Footballer’s Wives opposite Joan Collins. As a writer-producer he has sold TV shows to ABC, AMC, and NBC, and has written feature films for LucasFilm, Filmnation, Thunder Road, and others. He performed an uncredited rewrite of the Ghost in the Shell reboot starring Scarlett Johansson (Universal, 2017). He was nominated by the Writer’s Guild of America in 2013 and 2014 for creating and writing the multi-award-winning web series Lauren. He owns and oversees a production company that has produced extensive commercial work for a wide variety of clients, including the 2019 Webby-nominated Moncler digital campaign featuring Sophia the Robot of Hanson Robotics, the first robot given legal personhood anywhere in the world.

https://www.amazon.com/gp/product/B08LHKTBPD/ref=x_gr_w_glide_sin?caller=Goodreads&callerLink=https%3A%2F%2Fwww.goodreads.com%2Fbook%2Fshow%2F55774496-warspace&tag=x_gr_w_glide_sin-20

Babouc’s Vision by Glenn Searfoss Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

An appliance repairman finds himself overwhelmed when the gods choose him to be the one to condemn the people of his city, and as the lives of several others flood his mind, he must prove the people’s lives worthy of saving instead in author Glenn Searfoss’s “Babouc’s Vision”.

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The Synopsis

Babouc’s Vision is a riveting dystopian science fiction novel with thought-provoking commentary on society.

The year is 2041– and the gods are angry. While Carissa scours the city garbage for food and pretty things to show her grandfather, Tom and April strive to prove themselves genetically suitable to conceive a child. Luis becomes a man fighting to protect his unborn son from the gangs. Nora sits alone in her dark apartment, old, tired, and ready to die. And Izzy, how did he land in the streets destitute? In the backroom of his appliance repair shop, Harl putters at his workbench unaware the Gods have chosen him to condemn the people of CynCity. Harl’s world turns upside-down as his mind explodes with the lives of strangers. Struggling to remain sane, he must somehow prove the city’s population deserves to survive.

The works of Voltaire (The World as it is) and Dante (The Divine Comedy) inspired this book. As well, many events in the work reflect newspaper reports of criminal, social, environmental, and scientific events happening around the world. The bleak nature of these accounts explains the book’s overall dystopian feel, while the hope buried in the stories is gleaned from human perseverance.

The Review

The author found such a striking balance of world-building and thought-provoking themes. The exploration of humanity’s worst aspects and how the people in one city fair against those sins was so fascinating to read. The detailed way the author approaches this dystopian sci-fi read was amazing, as was the narrative overall, which did a great job of playing into the themes and genres of this novel with grand futuristic settings and larger-than-life characters.

The characters were the true heart of this narrative. The vast array of different characters really brought this sad and brutal reality to life so perfectly, either by adding to the chaos or becoming a victim of that chaos themselves. Yet the way the author brought out small glimmers of hope throughout the narrative to showcase how there exists those within the darkness to fight for a brighter tomorrow was amazing to read.

The Verdict

Creative, engaging, and thoughtful in its approach, author Glenn Searfoss’s “Babouc’s Vision” is a must-read dystopian sci-fi thriller. A philosophical and introspective look into the mistakes and sins humanity inflicts upon itself far too often, and those who work to fight for change for the future, this novel shines and does an amazing job of exploring the depths of humanity in an entertaining way. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Glenn Searfoss is an American author of works in science fiction, mythology, computer science, and natural history. He lives in Colorado, USA with his wife.

Trashlands by Alison Stine Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own. 

A mother struggling to save enough money to rescue her child finds an opportunity to change her and her child’s life through her art in the sci-fi dystopian thriller, “Trashlands” by author Alison Stine. 

The Synopsis

A resonant, visionary novel about the power of art and the sacrifices we are willing to make for the ones we love

A few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: garbage is currency.

In the region-wide junkyard that Appalachia has become, Coral is a “plucker,” pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club’s violent owner rules as unofficial mayor.

Amid the polluted landscape, Coral works desperately to save up enough to rescue her child from the recycling factories, where he is forced to work. In her stolen free hours, she does something that seems impossible in this place: Coral makes art.

When a reporter from a struggling city on the coast arrives in Trashlands, Coral is presented with an opportunity to change her life. But is it possible to choose a future for herself?

Told in shifting perspectives, Trashlands is a beautifully drawn and wildly imaginative tale of a parent’s journey, a story of community and humanity in a changing world.

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The Review

Captivating and thought-provoking, author Alison Stine shines brightly in this emotional and relevant eco-thriller/sci-fi dystopian read. The novel’s brilliance comes through early on in the use of shifting perspectives, allowing readers not only to see how this dystopian world evolved and grew but allowing them to see how the bonds between these characters formed and how they came to be who they are. The chilling atmosphere comes not from some horrendous mutant beast or alien invasion, but the horrors humanity inflicts on our own planet, forcing the Earth to reshape its landscapes and forcing good people to do whatever it takes to survive.

The character arcs in this narrative are the true heart of this book. The various perspectives we have to allow the reader to see the balance Coral must find in not only surviving for herself but in finding the means to save her son, taken years ago from her to work in a factory. Her ability to find beauty and the means to create art for others while still putting herself through perilous work to earn the means of leaving everything behind and saving her son showcases mankind’s ability to persevere in the face of adversity and find hope in the darkness that surrounds us, a message that rings true for so many people. 

The Verdict

An engaging, emotionally-driven, and thematically important read, author Alison Stine’s “Trashlands” is a must-read novel of 2021! The perfect story of survival, hope, and finding beauty in the most troublesome of times, this story will take readers on a roller-coaster of emotions and showcase a depth of world-building that readers will come to love from this eco-thriller. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

About the Author

Alison Stine is an award-winning poet and author. Recipient of an Individual Artist Fellowship from the National Endowment for the Arts (NEA), and an Ohio Arts Council grant, she was a Wallace Stegner Fellow and received the Studs Terkel Award for Media and Journalism. She works as a freelance reporter with The New York Times, writes for The Washington Post, The Atlantic, The Guardian, 100 Days in Appalachia, ELLE, The Kenyon Review, and others, and has been astoryteller on The Moth. After living in Appalachian Ohio for many years, she now lives and writes in Colorado with her partner, her son, and a small orange cat.

Buy Links: 

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Social Links:

Author Website

Twitter: @AlisonStine

Instagram: @alistinewrites

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Q&A with Author Alison Stine

1.      Give us an out of context quote from your book to warm our hearts.

“People had thought there would be no more time, but there was. Just different time. Time moving slower. Time after disaster, when they still had to live.” 

2.      What’s the last book you read that inspired you? 

Lily Cole’s Who Cares Wins: Reasons for Optimism in a Changed World. I’m quoted in the book, which is how we met. She had me on her podcast. It’s a book of ideas and hope for sustainability and environmental action. And it inspires me that she is able to leverage her platform as an actor and model to try to do good in the world. This world really wants you to be just one thing, and she resists that, and converts the attention into calls for action.

3.      Name one song or artist that gets you fired up.

Lana Del Rey’s “Swan Song.” It has a slow build, dark and intense, like I hope my work is. I don’t listen to music with lyrics when I draft, but I listen to the same song over and over again when I revise. That song becomes the heartbeat of the book. And “Swan Song” was one of the heartbeats of Trashlands.

4.      How do you find readers in today’s market?

There’s only so much a writer can control. I do everything in my control–post on social media, do events, publish essays–but at the end of the day, my job as a writer too is to tell the best story I can, to the best of my ability, in the time I’m given. What happens after that is a function of money and attention and decisions that don’t include me. As a disabled writer, it’s especially hard– nobody does year-end best lists about us. I try to remember that the writers I most admire–Octavia Butler, Angela Carter–wrote a ton. They just kept writing. I have to just keep writing, keeping going, too. 

5.      Do you come up with the hook first, or do you create characters first and then dig through until you find a hook?

Every book is different and every book teaches you how to write it. For me, trying to be analytical about things like plot or meaning doesn’t work. If I have a story I can’t let go of, something I dreamed, or something that keeps coming back to me, I listen to it. Often a character speaks first.

6.      Coffee or tea?

Definitely coffee. I’m a lightweight, so I try to limit myself to one cup a day.

7.       How do you create your characters?

One thing that I think is missing from some contemporary literary fiction is work. As someone from a working-class background, what characters do for money, how they feed themselves and live, is important to me, and can define character. Often what you want to do is different than what you have to do. I try to make it very clear how my characters support themselves, which can be a big part of characterization and plot–like in Trashlands, where several major characters work at a strip club at the end of the world– but also, what are their larger wishes? What are their unfulfilled dreams? What do they regret? 

8.      Who would be your dream cast if TRASHLANDS became a movie?

Lana Del Rey as Foxglove, Erin Kellyman as Coral, Eric Roberts as Trillium, MJ Rodriguez as Summer, and the late John Dunsworth as Mr. Fall. 

9.      If you could grab lunch with a literary character who would it be?

Jet from Alice Hoffman’s Practical Magic series. I just read The Book of Magic, which reminded me how much I love Hoffman’s characters and that world. We all need an aunt in our lives who’s a witch, someone who’s both no nonsense and a lot of nonsense–and who serves cake for breakfast. (It just occurred to me that I may be turning into that kind of witch myself.) We need someone to remind us of our own personal magic. 

10.  What are you currently reading?

Township, a collection of stories by fellow Ohioan Jamie Lyn Smith, which is slated to be published this December. 

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Here is an Exclusive Excerpt From “Trashlands”

1

Early coralroot

Corallorhiza trifida

Coral was pregnant then. She hid it well in a dress she had found in the road, sun-bleached and mud-dotted, only a little ripped. The dress billowed to her knees, over the tops of her boots. She was named for the wildflower which hadn’t been seen since before her birth, and for ocean life, poisoned and gone. It was too dangerous to go to the beach anymore. You never knew when storms might come.

Though they were going—to get a whale.

A boy had come from up north with a rumor: a whale had beached. Far off its course, but everything was off by then: the waterways, the paths to the ocean, its salt. You went where you had to go, where weather and work and family—but mostly weather—took you.

The villagers around Lake Erie were carving the creature up, taking all the good meat and fat. The strainer in its mouth could be used for bows, the bones in its chest for tent poles or greenhouse beams.

It was a lot of fuel for maybe nothing, a rumor spun by an out-of-breath boy. But there would be pickings along the road. And there was still gas, expensive but available. So the group went, led by Mr. Fall. They brought kayaks, lashed to the top of the bus, but in the end, the water was shallow enough they could wade.

They knew where to go because they could smell it. You got used to a lot of smells in the world: rotten food, chemicals, even shit. But death… Death was hard to get used to.

“Masks up,” Mr. Fall said.

Some of the men in the group—all men except Coral—had respirators, painter’s masks, or medical masks. Coral had a handkerchief of faded blue paisley, knotted around her neck. She pulled it up over her nose. She had dotted it with lavender oil from a vial, carefully tipping out the little she had left. She breathed shallowly through fabric and flowers. Mr. Fall just had a T-shirt, wound around his face. He could have gotten a better mask, Coral knew, but he was leading the crew. He saved the good things for the others.

She was the only girl on the trip, and probably the youngest person. Maybe fifteen, she thought. Months ago, she had lain in the icehouse with her teacher, a man who would not stay. He was old enough to have an old-fashioned name, Robert, to be called after people who had lived and died as they should. Old enough to know better, Mr. Fall had said, but what was better, anymore?

Everything was temporary. Robert touched her in the straw, the ice blocks sweltering around them. He let himself want her, or pretend to, for a few hours. She tried not to miss him. His hands that shook at her buttons would shake in a fire or in a swell of floodwater. Or maybe violence had killed him.

She remembered it felt cool in the icehouse, a relief from the outside where heat beat down. The last of the chillers sputtered out chemicals. The heat stayed trapped in people’s shelters, like ghosts circling the ceiling. Heat haunted. It would never leave.

News would stop for long stretches. The information that reached Scrappalachia would be written hastily on damp paper, across every scrawled inch. It was always old news.

The whale would be picked over by the time they reached it.

Mr. Fall led a practiced team. They would not bother Coral, were trained not to mess with anything except the mission. They parked the bus in an old lot, then descended through weeds to the beach. The stairs had washed away. And the beach, when they reached it, was not covered with dirt or rock as Coral had expected, but with a fine yellow grit so bright it hurt to look at, a blankness stretching on.

“Take off your boots,” Mr. Fall said.

Coral looked at him, but the others were listening, knot-ting plastic laces around their necks, stuffing socks into pockets.

“Go on, Coral. It’s all right.” Mr. Fall’s voice was gentle, muffled by the shirt.

Coral had her job to do. Only Mr. Fall and the midwife knew for sure she was pregnant, though others were talking. She knew how to move so that no one could see.

But maybe, she thought as she leaned on a fence post and popped off her boot, she wanted people to see. To tell her what to do, how to handle it. Help her. He had to have died, Robert—and that was the reason he didn’t come back for her. Or maybe he didn’t know about the baby?

People had thought there would be no more time, but there was. Just different time. Time moving slower. Time after disaster, when they still had to live.

She set her foot down on the yellow surface. It was warm. She shot a look at Mr. Fall.

The surface felt smooth, shifting beneath her toes. Coral slid her foot across, light and slightly painful. It was the first time she had felt sand.

The sand on the beach made only a thin layer. People had started to take it. Already, people knew sand, like everything, could be valuable, could be sold.

Coral took off her other boot. She didn’t have laces, to tie around her neck. She carried the boots under her arm. Sand clung to her, pebbles jabbing at her feet. Much of the trash on the beach had been picked through. What was left was diapers and food wrappers and cigarettes smoked down to filters.

“Watch yourselves,” Mr. Fall said.

Down the beach they followed the smell. It led them on, the sweet rot scent. They came around a rock outcropping, and there was the whale, massive as a ship run aground: red, purple, and white. The colors seemed not real. Birds were on it, the black birds of death. The enemies of scavengers, their competition. Two of the men ran forward, waving their arms and whooping to scare off the birds.

“All right everybody,” Mr. Fall said to the others. “You know what to look for.”

Except they didn’t. Not really. Animals weren’t their specialty.

Plastic was.

People had taken axes to the carcass, to carve off meat. More desperate people had taken spoons, whatever they could use to get at something to take home for candle wax or heating fuel, or to barter or beg for something else, something better.

“You ever seen a whale?” one of the men, New Orleans, asked Coral.

She shook her head. “No.”

“This isn’t a whale,” Mr. Fall said. “Not anymore. Keep your masks on.”

They approached it. The carcass sunk into the sand. Coral tried not to breathe deeply. Flesh draped from the bones of the whale. The bones were arched, soaring like buttresses, things that made up cathedrals—things she had read about in the book.

Bracing his arm over his mouth, Mr. Fall began to pry at the ribs. They were big and strong. They made a cracking sound, like a splitting tree.

New Orleans gagged and fell back.

Other men were dropping. Coral heard someone vomiting into the sand. The smell was so strong it filled her head and chest like a sound, a high ringing. She moved closer to give her feet something to do. She stood in front of the whale and looked into its gaping mouth.

There was something in the whale.

Something deep in its throat.

In one pocket she carried a knife always, and in the other she had a light: a precious flashlight that cast a weak beam. She switched it on and swept it over the whale’s tongue, picked black by the birds.

She saw a mass, opaque and shimmering, wide enough it blocked the whale’s throat. The whale had probably died of it, this blockage. The mass looked lumpy, twined with seaweed and muck, but in the mess, she could make out a water bottle.

It was plastic. Plastic in the animal’s mouth. It sparked in the beam of her flashlight.

Coral stepped into the whale.

Excerpted from Trashlands by Alison Stine, Copyright © 2021 by Alison Stine. Published by arrangement with Harlequin Books S.A.

Creatures Most Vile by Chelsea Lauren Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own. 

A young woman who has been hunted by creatures her whole life has her world turned upside down when she discovers she has rare supernatural abilities, and is forced to fight the beasts that have haunted her in an arena. She must find a means of escape before the arena’s ruthless Commander before its too late in author Chelsea Lauren’s “Creatures Most Vile”. 

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The Synopsis

Stalked by monsters in the woods and her past, Anora finds safety in the quiet comforts of her small town life.

It’s another ordinary day when she’s sent to a Guardian assessment designed to unleash rare supernatural abilities, until she blasts a tunnel of water across the room. Her coach calls her gift a blessing, but Anora knows it’s a death sentence. Now she must train as a Guardian and battle the very monsters that have tormented her entire life.

After being thrown into the arena with a clawed and cackling creature, Anora refuses to accept this new life. She appeals to the Commander and begs her trainers to let her go home. The more they refuse, the more Anora realizes this isn’t a training camp—it’s a prison and they will never let her leave. Now she must escape the camp before the Commander catches on, for if he does, he may turn out to be worse than the monsters lurking in the woods. 

The Review

The world-building in this novel was fantastic! The author did an incredible job of not only captivating readers with a strong protagonist who evolved greatly over the course of the narrative but crafted a merciless and haunting dystopian world full of monsters, both the ravenous and humankind. The mythos that the author crafted around these fictional nations and the creatures that inhabit them, as well as the Guardians and their purpose, was incredible to watch unfold and did a great job of putting a new spin on the dystopian SCI-FI genre. 

The character arcs were what really brought me into this narrative fully. Anora was a fantastic hero to watch grow, as her arc from a scared and family-driven young girl into a strong and rebellious young woman was such a great and well-rounded story arc. The antagonists of this book were so vile and twisted, and the author did a great job of shocking readers with twists and turns that would change character perspectives constantly.

The Verdict

A heart-pounding, jaw-dropping, and entertaining read, author Chelsea Lauren’s “Creatures Most Vile” is a must-read dystopian sci-fi of 2021! The perfect read for sci-fi fans during the spooky season, the chilling monster attacks to set up the novel’s setting, and the twisted mind-games that the protagonist must endure making this a tense-filled world that cries out for a sequel. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

I never knew exactly what I wanted to be when I grew up. At school, everyone seemed so convicted in their career aspirations while I was constantly changing my mind. My two favorite subjects were science and English, so I decided to follow a biology track in college.  

During those four years my love for biology solidified. A career in research started to take shape. I was accepted to a graduate program winter of my senior year and was ready for a new adventure. Little did I know, that adventure was waiting for me in a Creative Writing 101 course that upcoming spring.  

After a semester of exploring my creative side through poetry and short stories, I was hooked. After graduation, I continued writing for fun and in graduate school it was an outlet for stress. My best friend and I would have de-stress writing sessions. We wrote a little, talked a lot, and she is the one who encouraged me to seek publication and share my stories with the world.   

Throughout the years, my fiancé has been a constant source of encouragement.  Balancing a career in microbiology, a blossoming career as an author, and everything else would not be possible without his hugs and our baby puppy Otis’s cuddles and kisses.  

Here’s a link to a Q&A I did with author Joshua Gillingham. 

https://www.chelsea-lauren.com/

A Beginning at the End by Mike Chen Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

Four people are brought together by circumstance at the end of the world and must work together in the face of another disaster when society is slowly rebuilding itself in author Mike Chen’s “A Beginning at the End”. 

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The Synopsis

How do you start over after the end of the world?

Six years after a global pandemic wiped out most of the planet’s population, the survivors are rebuilding the country, split between self-governing cities, hippie communes and wasteland gangs.

In postapocalyptic San Francisco, former pop star Moira has created a new identity to finally escape her past—until her domineering father launches a sweeping public search to track her down. Desperate for a fresh start herself, jaded event planner Krista navigates the world on behalf of those too traumatized to go outside, determined to help everyone move on—even if they don’t want to. Rob survived the catastrophe with his daughter, Sunny, but lost his wife. When strict government rules threaten to separate parent and child, Rob needs to prove himself worthy in the city’s eyes by connecting with people again.

Krista, Moira, Rob and Sunny are brought together by circumstance, and their lives begin to twine together. But when reports of another outbreak throw the fragile society into panic, the friends are forced to finally face everything that came before—and everything they still stand to lose.

Because sometimes having one person is enough to keep the world going.

The Review

This was a truly unique and gripping sci-fi dystopian thriller! The timing of this novel’s release was hard not to see of course, but what the author did so splendidly was not focus the entire novel on the actual “apocalypse”, but instead on the society that came after an epidemic that took out a large portion of the world’s population. The unique perspective, narratively speaking, highlights humanity’s persistence and strength in the face of adversity and overwhelming odds, even with the mental and physical tolls each of these characters are struggling with. 

What the author really did a great job of was balancing the ever-shifting mythos of this dystopian world with the emotional depths of each character’s growth throughout the narrative. As a fan of Stephen King’s “The Stand”, I’ve always felt that this balance was necessary for a story about the end of the world to really feel emotionally connected to the reader, and the author perfectly hits the nail on the head with this read.

The Verdict

A masterful, heartfelt, and entertaining read, author Mike Chen’s “A Beginning At the End” is a must-read novel for fans of the sci-fi and dystopian thriller genres. The engaging way the author connected his characters and both the internal and external struggles each character faced made this novel become an instant hit. Be sure to grab your copy today!

Rating: 10/10

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About the Author

Mike Chen is the author of Here And Now And Then (a finalist for Goodreads Choice – Best Sci-Fi, CALIBA Golden Poppy, and the Compton Crook Award) and A Beginning At The End (“a brilliant, fragile path through the darkness” — Library Journal). His short fiction is featured in Star Wars: From A Certain Point Of View — The Empire Strikes Back, and he has covered geek culture for sites such as Tor.com, The Mary Sue, and StarTrek.com. In a previous life, he covered the NHL for Fox Sports, SB Nation, and other outlets. A member of SFWA, Mike lives in the Bay Area with his wife, daughter, and rescue animals. Follow him on Twitter and Instagram: @mikechenwriter

Fix the World by Collected Authors Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

A collection of science-fiction writers gather together to bring their creative flair into the fight to preserve or even resurrect the environment and world as a whole in the face of global disasters, war and more in the novel “Fix the World”. 

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The Synopsis

We’re a world beset by crises. Climate change, income inequality, racism, pandemics, an almost unmanageable tangle of issues. Sometimes it’s hard to look ahead and see a hopeful future.

We asked sci-fi writers to send us stories about ways to fix what’s wrong with the world. From the sixty-five stories we received, we chose twelve most amazing (and hopefully prescient) tales.

Dive in and find out how we might mitigate climate change, make war obsolete, switch to alternative forms of energy, and restructure the very foundations of our society,

The future’s not going to fix itself.

The Review

What a powerful and moving anthology of sci-fi, dystopian and apocalyptic stories. This collection stands out with some incredible storytelling and character development, bringing to life some very real and relatable characters in dark and trying situations. The pacing was great, as each story did a great job of setting up its own story and maintaining momentum as the darker aspects of the narrative unraveled and the hope became more and more apparent.

Hope was the aspect of this anthology that really spoke to me. The theme and tone of something like hope is really stark contrast to the typical apocalyptic anthology narrative, and each other did a great job of showcasing how solutions to these problems could bring that hope to life. One story, in particular, was incredibly moving and emotional, and that was J. Scott Coatsworth’s “Rise”. The emotional story of a lost city being reclaimed and its citizens returning after decades away was a truly touching moment in this collection, and in a time where we are still in a pandemic, this message was assuredly needed.

The Verdict

A memorable, heartfelt, and creative sci-fi and dystopian apocalyptic anthology, “Fix the World” is a masterpiece of writing and each other has done a great job of not only bringing their individual stories to life but making each story feel connected and important all at once. A book readers won’t want to put down, this collection inspires hope and gives readers everywhere the creative inspiration to face these challenges head-on themselves. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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Fix The World

Other Worlds Ink has a new hopeful sci-fi anthology out: Fix the World. And there’s a giveaway!

We’re a world beset by crises. Climate change, income inequality, racism, pandemics, an almost unmanageable tangle of issues. Sometimes it’s hard to look ahead and see a hopeful future.

We asked sci-fi writers to send us stories about ways to fix what’s wrong with the world. From the sixty-five stories we received, we chose the twelve most amazing (and hopefully prescient) tales.

Dive in and find out how we might mitigate climate change, make war obsolete, switch to alternative forms of energy, and restructure the very foundations of our society,

The future’s not going to fix itself.

Publisher | Amazon | iBooks | Barnes & Noble | Kobo | Liminal Fiction | Thalia | Goodreads


Giveaway

OWI is giving away a $25 Amazon gift card with this tour:

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Excerpt

From “Rise”

by J. Scott Coatsworth

The rumbling increased to a roar, and more dark patches appeared in the green lagoon waters. So expensive. So laborious to stabilize what was left. But every bit worth it, in this moment.

A great spume of water sprayed high enough to throw a shimmer of mist across her face as the first part of the old city broke the surface. As the spume cleared, the top of the Campanile di San Marco rose above the water, green roof gleaming like new. A nice touch. The Restoration Guild must have worked overtime on that one. Its golden weathervane was gone, but the bas relief of the lion of St. Mark made her clutch her heart.

“Mamma, what’s the lion for?” She licked chocolate off her hands, desperate to make her afternoon snack last just a little longer.

“It’s the symbol of the city.” Mamma put her hand on Cinzia’s chest, patting it—boom boom, boom boom. “The beating heart of who we are.”

Cinzia stumbled. It felt like yesterday.

“You okay?” Gio’s brow creased.

“I… sorry, yes. So many memories.”

Skipping over the bridges. The bad days of the quarantine. The corner market where mamma used to do her grocery shopping…

The Flood.

Another building broke the surface nearby—the Santa Maria della Salute, the beautiful basilica. Water poured off the gorgeous green domes in a thundering flood. They were mostly intact, though one of the smaller ones had a gaping hole—water poured out of it, cascading down to the lagoon like a waterfall, joining the general uproar of the Rise.

“Look, Kendra. You can see the outlines of the Canal Grande now.” The old waterway—the pulsing artery of the city—snaked away from them like a backwards ’S.’ In the distance, she could make out the edge of the Sestriere Cannaregio, the district where her mamma had lived in a modest apartment in an old stone palazzo that looked out on a concrete courtyard.

Waters rising, as it rained for close on a month, coming ever closer to their own second-floor balcony.

What if the water doesn’t stop coming?” Cinzia stared out at the concrete courtyard, where the seawater swirled and churned.

“Don’t worry about that, tesoro. The water always stops, eventually. Now come here and help me with dinner.”

She had been lucky. She had survived.

All across the lagoon, the buildings of Venice were rising from the water. Many were broken, piles of bricks and debris covered with algae and surprised fish that flopped around on suddenly exposed land. The outlines of the city were becoming clear as water poured out of the buildings, churning the lagoon into a muddy, frothy mess.

A row of palazzos along the edge of the Canal Grande collapsed, sending up a deafening roar as they crumbled into rubble. Cinzia stepped back instinctively, pulling Kendra with her as the platform rose thirty meters into the air to avoid the cloud of debris that briefly rose above the lagoon before settling back to earth.

“Nothing to be alarmed about. Not all buildings were stabilized prior to the Rise.” Doctor Horvat’s lined face nodded reassuringly from the hovering screen before them, her voice broadcast across the world and to the Lunar colonies far above. “We expected some collapses. We will keep you away from the dangerous areas.”

“What if the city doesn’t stop rising?” Kendra grasped the railing, her gaze locked on the scene below.

Gio knelt next to the girl. “There’s no chance of that. The polyps have a very short lifetime…”

Cinzia was grateful to him. He probably understood the science behind all of this far better than she.

Her mind drifted.

They ate the last of the almond cantucci, savoring the hard cookies even though they were stale. Cinzia was still hungry, but she knew better than to ask for more. There was no more.

Outside, the rain had finally slowed to a constant drizzle.

Mamma ruffled her hair, managing a wan smile. “I need you to stay here, Cinzia. Someone will come for you, I promise. I will find us help.”

The helicopters had stopped coming days before, and the boats that had been plentiful the first few days, with men telling them to stay put, had bypassed their part of the city ever since.

The rumbling subsided.

Cinzia opened her eyes and looked around. For just a moment, there was absolute silence on the traghetto, along the shore, and on the sky board.

She looked over the railing.

Venice—her Venice—lay before her. It was in sad shape. Many of the landmarks she remembered were tarnished or broken. Whole zones of the city had collapsed, and except for Piazza San Marco, a green film covered the risen city. She was a ghost of her former glory.

But she was there, as solid and real as the hand before Cinzia’s face.


Author Bio

Bryan Cebulski is a rural California-based journalist from the Midwest who writes quiet queer speculative and literary fiction.

Scott Coatsworth lives with his husband Mark in a yellow bungalow in Sacramento. He was indoctrinated into fantasy and sci fi by his mother at the tender age of nine. He devoured her library, but as he grew up, he wondered where all the people like him were. He decided that if there weren’t queer characters in his favorite genres, he would remake them to his own ends. A Rainbow Award winning author, he runs Queer Sci Fi, QueeRomance Ink, and Other Worlds Ink with Mark, sites that celebrate fiction reflecting queer reality, and is a full member member of the Science Fiction and Fantasy Writers of America (SFWA).

Rachel Hope Crossman grew up in Athens, Greece and Berkeley, CA as the child of a linguist and an actor. Her imagination, marked by the stones of the Acropolis, the granite slabs of the Sierra Nevadas and the blues of the San Francisco Bay, is the all and everything that fuels her engine. A preschool teacher, then substitute teacher, Rachel ultimately followed her Montessori bliss to teach elementary. Mother of four grown children and author of Saving Cinderella: Fairy tales & Children in the 21st Century, (2014 Apocryphile Press), Rachel currently writes eco-fantasy and science fiction stories.

Jana Denardo is Queen of the Geeks (her students voted her in) and her home and office are shrines to any number of comic book and manga heroes along with SF shows and movies too numerous to count. There is no coincidence the love of all things geeky has made its way into many of her stories. To this day, she’s still disappointed she hasn’t found a wardrobe to another realm, a superhero to take her flying among the clouds or a roguish star ship captain to run off to the stars with her.

J.G. Follansbee is an award-winning writer of thrillers, fantasy and science fiction novels and short stories with climate change themes. An author of maritime history and travel guides, he has published articles in newspapers, regional and national magazines, and regional and national radio networks, including National Public Radio. He’s also worked in the high-tech and non-profit worlds. He lives in Seattle.

Ingrid Garcia helps selling local wines in a vintage wine shop in Cádiz and writes speculative fiction in her spare time. For years, she was unpublished. But to her utter surprise—after years of receiving nothing but rejections—she’s sold stories to F&SF, and the Ride the Star Wind and Sword and Sonnet anthologies. She tweets as @ingridgarcia253and is busy preparing a personal website and—dog forbid—even thinking about writing that inevitable novel

Jennifer R. Povey was born in Nottingham, England, but she now lives in Northern Virginia, where she writes everything from heroic fantasy to stories for Analog. She has written a number of novels across multiple sub genres. Additionally, she is a writer, editor, and designer of tabletop RPG supplements for a number of companies. Her interests include horseback riding, Doctor Who and attempting to out-weird her various friends and professional colleagues.

Mere Rain is an international nonentity of mystery whose library resides in California. Mere likes travel, food, art, mythology, and you. Feel free to reach out on social media. Mere Rain has published speculative short fiction with The Mad Scientist Journal, Mischief Corner Books, Things in the Well, and Mythical Girls.

D.M. Rasch writes feminist speculative fiction for LGBTQ+ young adults and adults, exploring where the social and political meet the personal. Her characters are often found doing their best in worlds that challenge them to become their best selves. Queer representation and reaching out to LGBTQ+ youth drive her writing, informed by her MFA in Creative Writing from Regis University and two bossy sister kittens who like to edit. She identifies as a genderqueer lesbian, currently writing and working (remotely) in the Denver, CO area as a creative mentor, coach, and editor in her business, Itinerant Creative Content & Coaching LLC.

Holly Schofield travels through time at the rate of one second per second, oscillating between the alternate realities of city and country life. Her stories have appeared in Analog, Lightspeed, Escape Pod, and many other publications throughout the world. She hopes to save the world through science fiction and homegrown heritage tomatoes.

Anthea Sharp is the author of the USA Today bestselling Feyland series, where a high-tech game opens a gateway to the treacherous Realm of Faerie. In addition to the fae fantasy/cyberpunk mashup of Feyland, her current novels are set in the shadowed enchantment of the Darkwood, where dark elves and fairytale elements abound. Anthea lives in sunny Southern California where she writes, hangs out in virtual worlds, plays the Irish fiddle, and spends time with her small-but-good family.

Alex Silver (he/him) grew up mostly in Northern Maine and is now living in Canada with a spouse, two kids, and three birds. Alex is a trans guy who started writing fiction as a child and never stopped. Although there were detours through assisting on a farm and being a pharmacist along the way.

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