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Just the Nicest Couple by Mary Kubica Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own. 

A wife desperate to find her missing husband searches for clues to his location, unaware her neighbors may have been the last to see or hear from him in author Mary Kubica’s “Just the Nicest Couple”.

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The Synopsis

A husband’s disappearance links two couples in this twisty thriller from New York Times bestselling author Mary Kubica

Jake Hayes is missing. This much is certain. At first, his wife, Nina, thinks he is blowing off steam at a friend’s house after their heated fight the night before. But then a day goes by. Two days. Five. And Jake is still nowhere to be found.

Lily Scott, Nina’s friend and coworker, thinks she may have been the last to see Jake before he went missing. After Lily confesses everything to her husband, Christian, the two decide that nobody can find out what happened leading up to Jake’s disappearance, especially not Nina. But Nina is out there looking for her husband, and she won’t stop until the truth is discovered.

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The Review

This was a gripping and captivating domestic thriller. The author does an incredible job of layering this story with intrigue from the beginning, from Lily’s shocked demeanor and her husband’s desperation to protect her to Nina’s fear and determination to find answers to all her questions. The pacing of the novel was incredible as it allowed the mystery to unravel slowly and keep the reader engaged with the narrative as the motivations and suspects in this case grow larger and larger. 

Character development was the heart of this narrative, as each of the four main characters in this narrative held a depth to them that captivated readers from the start. The use of both Christian and Nina’s perspectives for the majority of the story allowed both of their unique viewpoints and shocking revelations to hold their own weight in the story, and the mystery surrounding those they love and what they are capable of to grow until the explosive final chapters.

The Verdict

Memorable, shocking, and entertaining, author Mary Kubica’s “Just the Nicest Couple” is a must-read domestic thriller of 2023. The twists and turns in the narrative and the shocking revelations that come to light in the disappearance of Jake Hayes will keep fans of the genre hanging onto the author’s every word. The adrenaline-fueled suspense read will stay with readers and connect both psychologically and emotionally. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Mary Kubica is a New York Times bestselling author of thrillers including The Good Girl, The Other Mrs.,  and Local Woman Missing. Her books have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller” (Kirkus) and “a writer of vice-like control” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “illuminating” (L.A. Times). She lives outside of Chicago with her husband and children.

Social Links:

Author website: https://marykubica.com/ 

Facebook: https://www.facebook.com/MaryKubicaAuthor 

Twitter: https://twitter.com/marykubica 

Instagram: https://www.instagram.com/marykubica 

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Amazon: https://www.amazon.com/Just-Nicest-Couple-Mary-Kubica/dp/0778333116/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1659696934&sr=8-1 

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Excerpt from “Just the Nicest Couple”

PROLOGUE

I gasp and stagger backward. My hand goes to my mouth, bear- ing down.

My brain screams at me to run. Run.

I can’t at first. Shock and fear hold me captive. They keep me from moving, like a ship that’s dropped anchor. I’m moored to this spot, my eyes gaping in disbelief. My breath quickens and I feel the flailing of my heartbeat in my neck, my throat and in my ears.

Run, my brain screams at me. Go. Fucking run.

There is movement on the ground before me. The sound that comes with it is something heathen and raging, and some part of me knows that if I don’t go now, I may never leave this place alive.

I turn away. It’s instantaneous. One minute I’m unmoving and the next I’m moving so fast that the world comes at me in vague shapes and colors, streaks of brown and blue and green. I barely feel the movement of my legs and my feet as I run. I don’t feel the impact of my shoes colliding with the earth, moving quickly across it. I don’t look back, though I want more than anything to steal a look to know that I’m alone. That I’m not being followed. But I don’t look. It’s too risky. Looking back would cost precious seconds that I don’t know that I have. If I do, those seconds could be my last.

Sounds come, but I’m so disoriented that I don’t know where they come from. Is it only my pulse, the rush of blood in my ears?

Or is someone there?

I feel something tangible against my hair and then my spine. My back arches. I jerk away, pitching forward, landing hard on my hands and knees.

The world stops moving.

I have only two thoughts in that moment: staying alive, and that this isn’t the way it was supposed to happen.

Christian

Lily is sitting on the leather chair in the family room when I come in. Her back is to me. I see her from behind, just her long brown hair spilling down the back of the chair. She stares toward the TV on the opposite wall, but the TV is off. It’s just a black box, and in it, I see a murky reflection of Lily on the screen, though I can’t tell if her eyes are open or shut.

“Hey,” I say, coming in through the garage door, closing it quietly and stepping out of my shoes. I set my phone and keys on the counter, and then ask, “How was your day?”

It’s getting dark in the house. Out the window, the sun is about to set. Lily hasn’t bothered with the lights, and so the in- side of the house is colorless and gray. We face east. Any pretty sunset is the other way. You can’t see it from here, if there even is one to see.

Lily says nothing back. She must have fallen asleep, sitting upright in the chair. It wouldn’t be the first time. She’s been extremely tired lately. The pregnancy is getting the best of her, not to mention that she’s on her feet teaching all day. These two things in combination exhaust her. It used to be that Lily would be in the kitchen, cooking dinner when I got home, but these last few weeks, she comes home from work ready to drop. I don’t mind that she’s not cooking. I’ve never been the kind of person to need a home-cooked meal after work, but that’s the way Lily was raised. Her mother did it for her father, and so she thinks she should do it for me. She’s been apologetic that she hasn’t had it in her to cook dinner, but she’s been queasy, too, and the last thing she needs to be doing is cooking for me. I called from the car and ordered takeout already; it will be here any minute.

I step quietly into the family room. I come around to the other side of Lily to face her. Lily isn’t asleep like I thought. Her eyes are open but her expression is blank. Her skin looks gray, washed-out like the room, and I blame the poor lighting.

Lily’s head turns. She looks up at me as if in slow motion.

“Hey,” I say again, gently, smiling. “You okay? Did I wake you?”

I flip on a side table light, and she winces from the bright- ness of it, her eyes taking time to adjust. I apologize for it, realizing that her pale face had nothing to do with the lack of light.

In the warmth of the lamp’s glow, I see that Lily’s hair is wet. She wears maroon-colored joggers and a sweatshirt. She’s showered and changed since coming home, which is more than she usually does. Usually she falls flat on the couch and doesn’t leave until it’s time to go to bed.

I drop to my knees in front of her. I reach forward and run a hand the length of her hair. “You look exhausted, babe. Do you want to just go to bed? I can help you up. Takeout should be here soon. I’ll bring it up to the room for you when it gets here.”

Lily blinks three times, as if to clear the fog. She finds her voice. It’s husky at first, dry, like after a day of shouting at a football game, which is not that different than a day of teach- ing rowdy high school kids math. “No,” she says, shaking her head, “I’m fine. Just tired. It was a long day.”

“You sure? I wouldn’t mind dinner in bed myself.” I had a long day too, but it doesn’t seem right to compare them when only one of us has another human growing inside of them.

“That sounds messy,” she says.

“I promise I’ll be neat.”

Lily smiles and my heart melts. I love it when she smiles at me. “When are you ever neat?”

“Never,” I say, feeling better if she can still poke fun at me.

I’ve done my research on pregnancy and childbirth. I’ve read that the fatigue women feel during the first trimester is maybe the most tired they’ll feel in their whole lives. Growing a human is exhausting. Caring for one is too, but we’re not there yet.

“You need anything?” I ask, and she shakes her head.

Takeout comes. I convince Lily to come sit on the couch with me, where we both fit. We watch TV and, as we do, I ask her about her day and she asks me about mine. She’s quieter than usual tonight. I do most of the talking. I’m a market research analyst, while Lily teaches high school algebra. We met in college over of our shared love of math. When we tell people that, it makes them laugh. We’re math nerds.

When it’s time for bed, Lily goes up to the room before me. From downstairs, I hear the sink run as she washes up. I clean up from dinner. I throw the takeout containers in the trash. There is a package waiting on the front porch. I step outside to get it, where the night is dark, though the sky is clear. It must be a new moon.

Lily is standing at the top of the stairs when I come back in. She’s there in the upstairs hall, standing in the dark, backlit by the bedroom light. Gone are the maroon sweats she wore ear- lier. She has on my flannel shirt now. Her legs are bare, one foot balanced on the other. Her hair is pulled back, her face still wet from washing it.

“Don’t forget to lock the door,” she says down over the rail- ing, patting her face dry with a towel.

I wouldn’t have forgotten to lock the door. I never do. It’s not like Lily to remind me. I turn away from her, making sure the storm door is shut and locked, and then I push the front door closed and lock the dead bolt too.

Our house sits on a large lot. It’s old on the outside, but has a completely revamped, modern interior. It boasts things like a wraparound porch, beamed ceilings, a brick fireplace—which Lily fell in love with the first time she laid eyes on the house, and so I knew I couldn’t say no despite the price—as well as the more modern amenities of a subzero fridge, stainless steel appliances, heated floors and a large soaker tub that I was more enthusiastic about. The house is aesthetically pleasing to say the least, with an enormous amount of curb appeal. It practically broke the bank to buy, but felt worth it at the time, even if it meant being poor for a while.

In the backyard, the river runs along the far edge of the prop- erty, bound by a public hiking and biking trail. We were worried about a lack of privacy when we first moved in, because of the trail. The trail brought pedestrians to us. Strangers. People just passing by. For most of the year, it’s not a problem. The leaves on the trees provide plenty of privacy. It’s only when they fall that we’re more exposed, but the views of the river are worth it for that small sacrifice.

“Done,” I tell her about the locks, and she asks then if I set the alarm. We’ve lived here years and hardly ever set the alarm. I’m taken aback that she would ask.

“Is everything okay?” I ask.

Lily says, “Yes, fine.” She says that we have an alarm. We pay for it. We might as well use it. She isn’t wrong—it’s just that she’s never wanted to before.

I set the alarm. I make my way around the first floor, turning off lights. It takes a minute. When I’m done, I climb the stairs for the bedroom. Lily has the lights off in the room now. She stands at the window in the dark, with her back to the door.

She’s splitting the blinds apart with her fingers and is looking out into the dark night.

I come quietly into the room. I sidle up behind Lily, setting my hand on the small of her back and asking, “What are you looking at?” as I lean forward to set my chin on her shoulder, to see what she sees.

Suddenly Lily reels back, away from the window. She drops the blinds. They clamor shut. I’ve scared her. Instinctively, her hands rise up in self-defense, as if to strike me.

I pull back, ducking before I get hit. “Whoa there, Rocky,” I say, reaching for her arms.

Lily’s hands and arms remain motionless, suspended in air.

“Shit, sorry,” she says, knowing how close she came to im- pact. The realization startles us both.

“What was that?” I ask as I gently lower Lily’s arms. Lily isn’t usually so jumpy. I’ve never seen that kind of reaction from her.

She says, “I didn’t know it was you.”

“Who did you think it was?” I ask, as a joke. She and I are the only ones here.

Lily doesn’t answer directly. Instead she says, “I didn’t hear you come up the stairs. I thought you were still downstairs.”

That doesn’t explain it.

“What are you looking at?” I ask again, gazing past her for the window.

“I thought I heard something outside,” she says.

“Like what?”

She says that she doesn’t know. Just something. We stand, quiet, listening. It’s silent at first, but then I hear the voices of kids rising up from somewhere outside. They’re laughing, and I know there are teenagers clowning around on the trail again. It wouldn’t be the first time. They never do anything too bad, though we’ve found cigarette butts and empty bottles of booze. I don’t get mad about it. I was a stupid teenager once. I did worse.

I go to the bed. I pull the blankets back. “It’s just dumb kids,

Lily. There’s nothing to be afraid of. Come to bed,” I say, but, even as she turns away from the window and slips under the sheets with me, I sense Lily’s hesitation. She’s not so sure.

Excerpted from Just the Nicest Couple @ 2023 by Mary Kyrychenko, used with permission by Park Row Books.

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Local Woman Missing by Mary Kubica Review

I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.

A young girl who disappeared over a decade earlier along with two older women returns and brings with her a shocking twist of domestic secrets that will shake a local community to the core in author Mary Kubica’s “Local Woman Missing”.

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The Synopsis

People don’t just disappear without a trace…

Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.

Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find…

In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.

The Review

This was such a compelling read. The author does an incredible job of weaving together a complex narrative that keeps the reader guessing the entire story. The characters feel alive and do a marvelous job of engaging the reader on an entirely different level, eliciting emotions like sadness and rage to disbelief and heartbreak. The alternating timelines and POV’s were an inspired choice, as they really help the story connect with the mystery and intrigue the author has established here. 

What will draw the reader in is the intensity of the narrative and how the author manages to weave each POV and timeline to keep the mystery alive. The story shifts and changes so many times that readers are constantly shocked to discover new secrets and new suspects in this growing case, as the true mystery doesn’t even begin until after Delilah returns home. 

The Verdict

A brilliant, thought-provoking, and heart-pounding thriller, author Mary Kubica’s “Local Woman Missing” is the perfect suspense novel for fans of the genre this summer. Written in a way that screams for a cinematic or miniseries adaption, the twists and turns will keep readers engaged throughout the entirety of the novel, and by the book’s end readers will be shocked as the final revelations are shown. If you haven’t yet, be sure to grab your copy today!

Rating: 10/10

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About the Author

Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week, Marie Claire, Bustle, HelloGiggles,Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more.Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times).  LOCAL WOMAN MISSING is her seventh novel. 

Social Links:

Website: https://marykubica.com/ 

Facebook: https://www.facebook.com/MaryKubicaAuthor

Twitter: https://twitter.com/MaryKubica 

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Goodreads: https://www.goodreads.com/author/show/7392948.Mary_Kubica 

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An Excerpt From LOCAL WOMAN MISSING

MEREDITH

11 YEARS BEFORE

March

The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.

Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for. 

I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint. 

Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do. 

I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night. 

I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx. 

Instead: I know what you did. I hope you die. 

Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death. 

My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak. 

I glance at the phone again. I haven’t misread. 

The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.

A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind. 

But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse. 

I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance. 

I text: You have the wrong number. 

The response is quick. 

I hope you rot in hell, Meredith. 

The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall. 

Meredith. 

Whoever is sending these texts knows my name. The texts are meant for me. 

A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me. 

Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see. 

“Hey,” he says, “how about you save some water for the fish.” 

Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water. 

“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry. 

“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry. 

“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself. 

Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse. 

Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell. 

“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith. 

Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.

I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries. 

“Oh, buddy,” I say, “I’m so sorry, it slipped.” 

But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching. 

My phone pings again. Josh says, “Someone is really dying to talk to you.” 

Dying. It’s all that I hear. 

My back is to Josh, thank God. He can’t see the look on my face when he says it. 

“What’s that?” I ask. 

“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me? 

Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else. 

I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay. 

“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”

Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me. 

My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go. 

I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake. 

I take a look. There are two messages waiting for me. 

The first: Water broke. Contractions 5 min apart. 

And then: Heading to hospital.—M. 

I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension. 

But I can’t sit long because my client is advancing quickly. I need to go.

Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.

Don’t You Cry by Mary Kubica Book Review:

A dark, twisted tale that takes the reader on a roller coaster of emotions with every twist and turn. That’s how this writer would describe author Mary Kubica’s thriller, Don’t You Cry. Secrets and lies lead to a mysterious disappearance and a strange encounter for the two protagonists of this incredible story.

When a young woman living in downtown Chicago named Esther Vaughn disappears without a trace, her roommate and friend Quinn is left to figure out what happened to her friend after she discovers a mysterious note left behind and signed “My Dearest.” Meanwhile a young man named Alex Gallo living in a small Michigan town outside of Chicago meets a mysterious woman, and he is immediately drawn to her. Yet soon his infatuation leads him onto a dark path that he never thought he’d be on. Will Quinn discover what happened to Esther, or are there dark secrets that will have her questioning who her roommate really is? Will Alex discover that his crush will come with unintended consequences?

The themes explored in this novel are the biggest draw of this incredible new thriller. Obsession and deception drive this amazing plot, while the characters themselves embody these themes to the point where anyone can be involved in the disappearance, and by the time the book ends the connection between Alex and Quinn, two strangers, will have readers on the edge of their seat. This is a must read thriller in 2016, so be sure to pick up your copies of Mary Kubica’s Don’t You Cry, available now!