Tell us a little bit about yourself. How did you get into writing?
I am a career writer. I’ve made my living as a journalist for almost thirty years. I would say, however, that I didn’t really find my voice until I started writing creative nonfiction.
What inspired you to write your book?
In 2018, I went to the University of King’s College in Halifax to start a two-year program in creative nonfiction. I earned my MFA in 2020. The graduate thesis for this program is in fact a book, which we work through with mentors over the course of two years. Ideally, you have your book finished in alignment with the program. I chose to write about heartbreak because it has been such a powerful experience in my life. My story, coupled with a range of more scholarly explorations into the phenomenon of this universal experience, seemed like juicy fodder for a creative nonfiction project.
What theme or message do you hope readers will take away from your book?
I think the biggest takeaway I envision for this book is that you’re OK. I’m OK. We’re all OK. If you’re reeling from heartbreak, you needn’t imagine you’re failing society or yourself or anyone at all for your failure to surface according to some perceived timetable. It’s OK to be reeling. It’s OK to hurt and yearn and struggle for a long time. I want people to stop judging themselves for not being OK, and to be kind to themselves in the face of their discomfort and despair. To realize, through my story, that it is entirely natural to hurt for a long time. They are not losers. They are only human.
What drew you into this particular genre?
Creative nonfiction is a natural fit for me. As a journalist, I am deeply concerned with the truth and feel strongly about holding my writing accountable to facts alone. But the *creative* aspect of this approach to writing was a wonderful discovery for me. Here, writers apply the tools and literary devices of creative writing (think: character development, scenes, detailed description, dialogue, etc.) to nonfiction. It elevates factual storytelling to a much more compelling and enjoyable place.
What social media site has been the most helpful in developing your readership?
I have launched an Instagram account around this book, and am excited to see where this path takes me. It is my first experience on that platform and I’m hopeful for its reach in terms of attracting readers.
What advice would you give to aspiring or just starting authors out there?
Keep going. It’s hard to write a book. It takes tremendous stick-to-it-iveness and patience. It’s a lot of work and a lot of words. But you need only to take a stroll through a bookstore, electronic or brick-built, to come away encouraged by the number of people who have been able to pull off this enormous undertaking. Have faith in yourself. If all those folks could do it, why not you?
What does the future hold in store for you? Are any new books/projects on the horizon?
I make my living now as a book editor, but feel strongly that there are more memoirs on my near horizon. I am a mother to four kids who are all young adults now, and I am kicking around ideas for another memoir that delves into this stage of maternal life. But I am so consumed right now with giving “Heartbroken” the birth it deserves, that I don’t want to muddy the waters by thinking too much ahead. I have loved every minute of writing this book and am awfully excited at the prospect of getting it out into the world. Thank you for taking the time for this conversation!
About the Author
LAURA PRATT is a long-time journalist, writer and editor. She writes for Canadian magazines and edits books. Her first memoir, The Fleeting Years, was published in 2004. She lives in Toronto with whichever of her kids and dogs she can corral to join her. She’s a 2020 graduate of the University of King’s College’s creative nonfiction MFA. She won an honourable mention in Prairie Fire’s 2020 CNF contest and was shortlisted for The Fiddlehead’s 2019 CNF contest. She has served as a judge at the National Magazine Awards for several years.
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