I received a free copy of this book in exchange for a fair and honest review. All opinions are my own.
A simple bus ride turns into a nightmare when a young woman finds herself forced into a hellish landscape with no means of escape in author James R. Gapinski’s “Edge of the Known Bus Line”.
A woman’s daily commute takes an abrupt turn when she’s dropped off in a grotesque shantytown in Edge of the Known Bus Line. The townsfolk live in huts and tents scavenged from broken trinkets. They eat dead rats and human flesh. They’ve developed cult-like religions about miracle bus routes that will someday set them free. The narrator searches for a way out of this surreal hellscape while dredging up a few nightmares of her own.
A truly brilliant and memorable read, this short yet powerful novel does a great job of exploring the horror genre to the fullest. The fast-paced nature of the narrative is perfectly balanced with story development and horror-specific mythology that really draws the reader in.
The atmosphere was really the biggest selling point of this novella. The book quickly thrusts the protagonist into the hell she has found herself in, allowing the reader to feel the shock and terror that the protagonist feels in this shocking situation. The author paints a grim and terrifying image to the reader, using imagery to really sell the spine-chilling nature of the world in which the author has created.
A gripping, entertaining, and at times even humorous read, author James R. Gapinski’s “The End of the Known Bus Line” is a must-read short novel horror story. A captivating and engaging story of trying to find hope in a sea of nightmares and horror, this is a fantastic story that is not to be missed. Be sure to grab your copy today!
About the Author
James R. Gapinski is the author of the novella Edge of the Known Bus Line (Etchings Press; University of Indianapolis), named to Kirkus Reviews‘ Best Books of 2018 and a finalist for the 2019 Montaigne Medal. He is also the author of three chapbooks: The Last Dinosaurs of Portland (Bottlecap Press), Fruit Rot (Etchings Press), and Messiah Tortoise (Red Bird Chapbooks). His short fiction has previously appeared in Heavy Feather Review, Hobart, Juked, Monkeybicycle, Paper Darts, Psychopomp, and other publications. He’s managing editor of The Conium Review, an instructional specialist at Chemeketa Community College, and an instructor for Southern New Hampshire University’s MFA program.